Yet another Blockbuster featuring a Woman in the Central Role and what a surprise–it’s making headlines! Captain Marvel starring Brie Larson had Opening Weekend Box Office of $455 Million worldwide. $153 million domestic is the second biggest solo superhero debut in history, behind Black Panther ($202 million). The real WIN in my book is that Rotten Tomatoes changed it’s review policy. Due to the advance bad reviews that punsters tried to post to the site BEFORE Captain Marvel was released, Rotten Tomatoes took a stand. It may seem logical to have prevented this in advance but the review-aggregating site was responding to public criticism that women-lead movies were being singled out for negative criticism (see Ghostbusters).
Films with women in lead roles and/or directed by women have been few and far between but it feels like the tide is turning. Look at our current slate of films in theaters: Jordan Peele’s horror film Us features another remarkable performance by Lupita Nyong’o, Sebastián Lelio remade his own film, Gloria Bell, featuring the luminous Julianne Moore, and if you’re lucky to be in a major film market, Diane, The Chaperone, Sunset or Ash is Purest White might be playing. Women are front and center; and not just White Young Starlets, there are a few older women and other nationalities sneaking thru the cracks in the Hollywood Wall created by #MeToo and #TimesUp.
🍺🍺🍺1/2 beers out of 5 for @captainmarvelofficial I really enjoyed the origin story and @brielarson performance. I liked the humor and the girl power. It could’ve used a little more fun and character development.
I like to compare film reviews to discussions about wine. Your enjoyment of either is often determined by far more that what’s in your glass or on the screen. To appreciate a fine wine or have a great cinematic experience, you must take into account your present state of mind, your affinity for certain things (notes of cherry say or affection for pratfalls), what you’re pairing it with (salmon, a matinee with your ex-boyfriend) and your previous experiences (extensive wine tasting, several cinema appreciation classes). I can’t tell you what’s going to make your heart go pitter patter…but I can give you an idea about what might be in store for you.
My film blog (and Instagram Feed), Drinks With Films gives a one to five rating for a film based on what drinks seem appropriate for the characters in the film. One shot of tequila for a bad Western for instance, five glasses of Champagne for an excellent Romance. I believe that the best way to give someone a recommendation on a film, is to understand their taste in films!
HOW TO TRAIN YOUR DRAGON 3 (PG • 104 mins.)
How to Train Your Dragon 3 –The Hidden World, directed by Dean DeBlois: rare is the series that maintains this high of entertainment value. Not only is the story fresh and the animation charming, the message of being true to yourself and the importance of family remain strong across all three films. Funny characters, dragons both scary and sweet, and the final resolution that if you love someone or something–sometimes you have to let it go. It’s all packaged in an action-packed tale that stays true to the characters. A great film for the whole family, though a few scary moments for the very young or easily frightened.
4 mugs of glog (out of 5)
WHAT MEN WANT (R • 1 h 57 mins.)
Men Want, directed by Adam Shankman and starring Taraji P. Henson, Aldis Hodge, Richard Roundtree, and Tracy Morgan. A loose remake of the 2000 film What Women Want, the plot follows a woman who,
after drinking a potent concoction offered by a psychic, hilariously portrayed
by Erykah Badu, gains the ability to hear men’s inner thoughts. Ali is a
successful sports agent who can’t seem to make partner in her male-dominated
field. Will she use her new power to hear the random, mostly crass thoughts of
her colleagues to advance her career? Will it ruin her friendships and her new
love interest? This over-long adaptation features a few chuckles and lots of
reinforced stereotypes. Taraji P Henson has some great outfits and brings a
warmth and wit to this portrayal of Ali, yet the only interesting character is
the assistant played by Josh Brener.
1 cup of disgusting tea out of 5
The Lego Movie 2:
The Second Part, directed by Mike Mitchell featuring the vocal talents of Chris
Pratt, Elizabeth Banks, Will Arnett and Tiffany Haddish is the fourth Lego film
and predictably, not the best in the series. The kids at the screening I
attended were laughing and seemed to enjoy the animation but the soundtrack is
not as catchy, the plot–not as inventive, and the animation isn’t anything
new. Instead of the Father and Son, this edition features Maya Rudolph as the
Mom threatening to put the Legos in a storage bin. An amusing, if modest effort
for the franchise.
2 super sweet Slurpies out of 5
Isn’t It Romantic,directed byTodd Strauss-Schulson. A delightful parody of Hollywood Romantic Fillms. Rebel Wilson is hilarious and real.Liam Hemsworth and Adam Devine have fun parodying the romantic lead and the guy stuck in the “friend zone”. Just like the actress, the film pretends to be all snarky till you get to the soft gooey, lovable ending. A fun date movie.
3 fruity, overly sweet drinks out of 5
Captain Marvel, directed by Anna Boden, Ryan Fleck. I really enjoyed the origin story and Brie Larson gives a refreshing performance as the Super Hero. There was wit and humor and girl power. It could’ve used some more character development and more fun…why so dark? A few odd bits, like why is her nose bleeding green in the flashback? Overall, a good time at the movies.
43 films screened over 4 days for the 45th Telluride Film Festival. 10 of those 43 were excellent documentaries, but another 12 were films based on true stories. The most Hollywood of these, First Man is the star-spangled story of Neil Armstrong starring Ryan Reynolds and directed by the talented Damien Chazelle (La La Land). It was very well-received. Trail by Fire, directed by Ed Zwick and driven by amazing performances by Laura Dern and Jack O’Connell, was absolutely riveting. I’m so glad I saw it before it starts being dismissively described as the anti-death-penalty film. It deserves a wide audience.
Alfonso Cuaron wrote, directed and shot most of his autobiographical film, Roma. Eric Kohn of Indiewire described it as “writing his personal story with a camera”, which seems quite apt. It’s a lovely black & white period piece revealing an upper-middle class family’s daily struggles through the eyes of their caring maid. Each scene is populated with so many details of their lives — we get to visit a turbulent time in Mexico City and in this young woman’s life. There’s so much drama and tension that the 2 1/2 hours flies by. I’m thankful that it’s a Netflix film and I’ll be able to watch it again.
Standing in the rain for an hour sharing an umbrella with a stranger was worth it to see The Old Man and the Gun (David Lowery). It was a treat to see Robert Redford and Sissy Spacek in person. They have delightful chemistry in this sweet film about a bank robber and escape artist who can’t retire from the thrill of the chase. Redford stated that this is indeed his last acting role, though he’ll still produce and maybe direct. That gave the film a lovely sentimental feel as there are photos of a younger Redford used to illustrate his character’s past. Casey Affleck is particularly good as the detective trying to catch the bank robbers who develops a rapport with the gentleman criminal.
If you’re a fan of Yorgos Lanthimos, you’ll to get a kick out of The Favourite. Queen Anne rules the 18th Century English Court but it’s her consort who’s making the real decisions. Played with petulance, emotional neediness and disdain, Olivia Colman is a powerful and fickle Queen. Vying for a place in her bed and in her court are the penniless lady, Abigail (Emma Stone), a cousin to the powerful Lady Marlborough (Rachel Weisz). Great roles for three powerful performers and I enjoyed the wicked banter and court intrigue. There are many extended close-ups of Olivia Colman’s face and it’s amazing to watch the emotional storms sinking her sanity. I could’ve done without the showy camera flourishes as it took me out of the story but the costumes (Sandy Powell) are sumptuous.
My final film of the festival was Boy Erased. This family drama is based on Garrard Conley‘s memoir brought to the screen by another multi-hyphenate talent, Joel Edgerton. He directs the screenplay he wrote; he also has a starring role as the director of a religious gay conversion center. Lucas Hedges, portraying another damaged young man (Manchester by the Sea, Ladybird, Three Billboards Outside Ebbing, Missouri) gives another emotionally revealing performance. When he’s forcibly outed at college after a traumatic incident, his Baptist preacher father (a solid Russell Crowe) convinces his mother (Nicole Kidman) to admit him to the conversion center. The loving relationship between mother and son is sorely tested when she learns what’s happening as staff try to sublimate the sexual urges of the clients. It’s an emotional journey with another great Nicole Kidman performance as she reconciles her love for her son with her love and duty as a Baptist wife. I’m looking forward to seeing The Miseducation of Cameron Post for the female viewpoint (directed by Desiree Akhavan) on conversion therapy set in an earlier time but still dealing with this shameful practice.
A throwback film that feels FRESH and a current film that is full of references to the past but already feels STALE!
Today there’s a good chance you can catch a screening of The Fifth Element at your local cineplex. Fathom Events is releasing the film May 14th and 17th as the studio is getting out the press for the next Luc Besson film, Valerian and the City of a Thousand Planets.
This has been a favorite film of mine for many years and I wasn’t worried that the special effects would look cheesy…I’ve seen it many times since that first awesome experience at the movie theater. I still found the story engaging, the cityscapes and costumes (Jean Paul Gautier!) fantastic and found myself on the edge of my seat at the ending with a tear in my eye. It was so fun to hear the crowd cheer at the end of the film and hear the exiting crowd exclaim at how well the movie still holds up.
In comparison, Guardians of the Galaxy, Vol 2 is a far weaker film. Yes, there are some wonderful set pieces and a few emotionally-resonant moments between the characters, but what was with that convoluted origin story? Wow, was I bored with the 70’s-themed side trip down memory lane, and any time the film stopped at Planet Ego, the story stalled. It made a gazillion dollars on Opening Weekend and will continue to gross the big bucks, but amid the flash and throwback tunes and the snappy dialogue, where was the story? Why did we care about the gold-dipped aliens and their plan for vengeance?
It felt as if they built all these cool sets and created all this cool SGI, and then added story elements to use them. How many scenes of battle till you create battle fatigue in your audience? The best moments on Guardians, were short scenes away from the action with our central characters…too brief to sustain any goodwill toward the overblown film.
Go see The Fifth Element instead. You’ll be glad you did.
Fifth Element: 4 cups of bad coffee (Corbin Dallas can’t get the coffee pot to work) out of 5
Guardians of the Galaxy, Vol 2: 2 kiddie cups of bright-colored Kool-aid, a sugar rush but a let-down, out of 5