Fall is a feast of film festivals!

As the Toronto Film Festival finishes it’s last week of films, parties and panels, let’s celebrate the local film festivals right here in Colorado! My favorite is the Telluride Film Festival, a gem of a festival over the Labor Day weekend. The 45th year welcomed stars galore: famous filmmakers, movie stars and tributes. Actress, Emma Stone, Director/Cinematographer, Alfonso Cuaron, and Cambodian filmmaker, Rithy Panth were honored. And a Silver Medallion for a Hero of Cinema was presented to Dieter Kosslick, Director of the Berlinale Film Festival.

Staying in the mountains, you could be in film heaven with Breckenridge, Aspen and Crested Butte having festivals one after the other! First up is Breckenridge Film Festival.  Breck‘s fest has 70+ films (lots of good shorts) with premieres, forums and parties and opens with the great documentary, Love, Gilda: Sept. 20–23, 2018. Aspen Filmfest: keeping in sync with Aspen’s tradition of big names and big fur, this festival includes major productions, Oscar hopefuls and lavish benefit dinners. Some of the films I loved at Telluride Film Fest are screening including a few I missed!: Sept. 25–30, 2018.  Crested Butte Film Festival is another smaller festival where screenings are within walking distance. Here you’re sure to discover the transformative power of stories while fostering great connections at this intersection of 90 great films, bikes, hikes and magical mountain scenery: Sept 27-30, 2018

Here in the Front Range, you can enjoy beer and movies at the 1st Boulder Film & Brew in Gunbarrel. You can travel to No Man’s Land in Carbondale for films made by and for women outdoor enthusiasts. You can whet your appetite with films paired with food tastings and beer pairings at the 7th Annual Flatirons Food Film Festival in Boulder. Whatever you choose, you’ll find that we have talented filmmakers right here in our own wonderful state!

Boulder Film & Brew Festival 

September 15, 2018

Boulder Film & Brew will feature creative beautiful independent films featuring comedy, animation and of course, BEER! You don’t want to miss the fun we’re going to have!

The inaugural Boulder Film & Brew Festival, highlights not just the craft of brewing, distilling and the food arts but also comedy and adventure. This is a festival where drinking beer, eating and laughing make for a fun and engaging experience.

Our schedule includes workshops about food and beer pairing by Element Bistro, brewing your own beer by Brewmented, Comedy by Bubb Comedy and a Quaffing sport beer competition with Team Quaffstafari!

Breweries are the new living rooms of Colorado and a beer tastes better when you’re enjoying a film with friends and learning how to create something new. Film and beer. Laughing with friends and beer. Workshops with beer. Learning stuff. Yep, your mom will be proud of you!

No Man’s Land

September 13-16 · Carbondale, CO

We are women and we are allies. We are sunsets and alpenglow, dangerous riptides and endless singletrack. We are coffee-fueled optimists who may dance-all-night into an alpine start and laugh too loudly at jokes that no one else understands. We are unique. We are individual. We are human. And we don’t draw lines, because everyone defines their own.

Flatirons Food Film Festival

October 11-14, 2018

The 6th annual Flatirons Food Film Festival opens with a night of craft beer and ends with a twisted tale of pastry and deep subterfuge. Between opening and closing nights, learn about Cuba’s food traditions, local food nonprofits, Anthony Bourdain from his friends, the struggle of opening a women-run food truck in a refugee camp, passing on family traditions, how to nurture young farmers, and how to move away from factory farming.

Denver Film Festival  Denver’s largest film festival is in its 41st year and has grown to 12 days in duration. With a little more glitz than some of the mountain events, Denver hosts red-carpet premieres and films from dozens of countries and more than 250 filmmakers: Oct. 31–Nov. 11, 2018.

Plus there are all these other film festivals in the Fall:

Telluride Horror Show, Oct. 12–14, 2018
Dickens Horror Film Festival in Longmont, Oct. 19–20, 2018
Rocky Mountain Women’s Film Festival, Colorado Springs, Nov. 9–11, 2018
Nederland Film Festival, Nov. 17–18, 2018
Winter Stoke Film Festival in Glenwood Springs, Nov. 29, 2018; Carbondale, Dec. 6, 2018; Rifle, Dec. 20, 2018

Jill ranks the films she saw at the Telluride Film Festival

If it seems to exist on a higher plane, this is not just a matter of altitude. Mostly it is the kind of place where, for one long weekend, all anyone wants to talk about is movies. There are no prizes, and therefore no juries; no market, no press screenings, no red carpets or paparazzi photo calls. The ethos is open and egalitarian. –A.O. Scott, The New York Times

There’s no way to see all the films you want to see at the Telluride Film Festival. Once you’ve accepted that, you’ll find that what you do see–is often more enriching or more thought-provoking than what you may have chosen on your own. After attending for five years, I’ve learned to seek out the smaller films and hope to catch some of the studio films at later festivals or when they come to the theaters. Sometimes though, it’s just a matter of what film is playing in the theater you’ve ushering at…or the next available screening that’ll fit into your schedule…or the one film where you might not have to wait too long in the rain. C’est la vie!

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I was lucky to see 12 films out of the 37 in the Main Program. I’ve listed them in order of my enjoyment level. Please remember that I didn’t see First Man, Can You Ever Forgive Me? and Destroyer…or the smaller films I wished I’d seen like Shoplifters, The Biggest Little Farm, Girl, The White Crow and Fistful of Dirt.

  1. Roma: Alfonso Cuaron (writer, director, cinematographer) I was fortunate to see two beautiful black & white films enveloped in non-stop smoking and wonderful music back-to-back; Cold War and Roma. It’s rare that I submit to an almost 2 1/2 hour film without feeling that there should’ve been an intermission or some serious editing. I was so immersed in this story of a young Mexican woman caring for an upper middle-class family and anticipating the unfolding turmoil about to descend upon them all. This was a true labor of love from Alfonso Cuaron; a tribute to the woman who raised him as well an odd to his biological mother trying to find her place in the world.
  2. Cold War: Pawel Pawlikowski (writer, director, Oscar-winner for Ida) This was the most beautifully-shot film I saw at the festival. A tragic love story set in Poland and Paris, we watch as the couple perform folk music under a political watchdog, traveling to Russia. Years later, they’re reunited in a life of jazz and booze. But the reality of life with someone who’s had to compromise too many times leads to a tragic return to Poland. Love can triumph over politics but can it survive the loss of your soul?
  3. Ghost Fleet: Shannon Service, Jeffrey Waldron: Documenting the horrifying reality of men imprisoned on fishing boats in the Indonesian sea, this film was a revelation to me. Focusing on the brave team lead by Patima Tungpuchayakul traveling to surrounding islands to rescue men who’ve fled slavery in the seafood trade, there’s a tension and tenderness to the footage. The horrors that these men face is compounded by the shame they feel about not wanting to return home, penniless and broken. Truly an amazing, inspiring film.
  4. Trail By Fire: Ed Zwick: 12 years on death row for a Texas man who’s low-class hard-living ways have blinded the legal system to his innocence and genuine love for his children. Jack O’Connell is mesmerizing in his performance of a man losing his soul but finding some meaning in his connection with Elizabeth Gilbert (played with great depth by Laura Dern). She starts a crusade to overturn his death sentence. A moving true story to make us rethink the death penalty.
  5. Boy Erased: Joel Edgerton (director, script, co-star): Lucas Hedges is a soulful young man trying to reconcile his same sex attraction with his family’s Baptist faith. When his preacher father (Russell Crowe) sends him to a religious conversion center, we meet the clients, many forced into treatment by their parents. Based on the autobiography of Garrad Conley, the painful revelations and vicious abuse heaped on the teens rings true. Joel Edgerton plays a masterful misguided leader who doesn’t just believe in praying away the gay; but also, beating out the devil of same sex sin. Nicole Kidman, the loving mother who comes to realize her son deserves understanding instead of punishment, is a welcome relief to the trauma. The closing scene between father and son is truly touching.
  6. The Favourite: Yorgos Lanthimos: I must confess to not being a fan of director Lanthimos’ work but this film was wicked and odd and sometimes wonderful. Olivia Colman plays Queen Anne of the 18th Century British court as a simpering, needy bully. Her companion, Rachel Weisz as Lady Marborough, keeps the Queen in check with flattery and sexual companionship. When her poor cousin shows up in court (the versatile Emma Stone), her position as “favourite” is threatened. Gorgeous costumes, some scathing lines and wacky antics kept me amused. The cinematography (low-light, fish-eye, wide-angles) was distracting but the long takes of Olivia Colman’s mournful face held me in thrall.
  7. Be Natural: The Untold Story of Alice Guy-Blache: Pamela E. Green: Bravo to this intrepid woman, Pamela E. Green! Upon seeing a documentary about early filmmakers, she wondered why she’d never heard of Alice Guy-Blache. When she discovered that not only her pioneering role in cinema, but also her films were not recognized by history or her peers, Green started this passion project. Connecting long-lost family members, discovering treasure troves of archival footage and recordings, Green seeks to restore Alice Guy-Blache to her rightful place as the first narrative filmmaker; and the first woman filmmaker! This is a fun fast-paced documentary that should be a must-see for any film lover.
  8. The Old Man & The Gun: David Lowery: A delightful film about an unrepentant bank robber and jail breaker played by the legend Robert Redford. The charm of this film is in the relationship between the thief and his comrades-in-arms (Danny Glover and Tom Waits), the detective who doesn’t want to catch him (Casey Affleck) and the woman who falls for his charms (the delightful Sissy Spacek). The real kick is that this is based on a true story. The sad news is that this is Robert Redford’s last role…what a great swan song.
  9. The Front Runner: Jason Reitman: Gary Hart, played with a nice head of hair by Hugh Jackman, gets his comeuppance in this political drama about the power of the media. Vera Farmiga portrays the much-wronged wife who must deal with the media circus and the sensationalism that can destroy a career and sideline not only a man’s run for office but also a nation’s chances for a flawed leader who may have made a big difference in politics.
  10. Eldorado: Markus Imhoof: Swiss filmmaker Imhoof interweaves his childhood relationship with an Italian refugee, a child sheltered by is family in World War II with a look at the overwhelming plight of refugees from Africa. His argument; that these immigrants are supplying low-paid labor to harvest food that is then subsidized and undercuts the economy in their own countries. A tragic cycle of economic slavery and hardship.
  11. Christian Wahnschaffe, Part 1 & 2: Danish silent filmmaker Urban Gad: Restored prints from 1920, this drama of class struggle with religious allegory was accompanied by Stephen Horne playing piano, flute, accordion with various thumping and strumming to great effect. A fascinating look at well-realized story where the acting, though broad, is still emotional.
  12. Graves Without A Name: Rithy Panh: The noted Cambodian filmmaker has created a tone poem to remember the thousands of lives brutally and agonizingly ended in the genocide there. Beautiful images of white paper prayer flags fluttering in the wind and carved faces to represent ghosts of those lost float in the water or appear in the tree’s bark. They represent those bodies lost in mass graves or never recovered as they were left to decompose on the land. A meditation on death and remembrance in a cyclical telling over 2 hours.

Festival buzz–Telluride

Destroyer/Can You Ever Forgive Me conversation

Director Marielle Heller, Melissa McCarthy –“Can You Ever Forgive Me?” Nicole Kidman, Director Karyn Kusama –“Destroyer”

Be Natural: The Untold Story of Alice Guy-Blache

Director Pamela E Green, “Be Natural”

Robert Redford, Director David Lowery, Sissy Spacek, Casey Affleck,  writer David Grann

Writer David Grann, Director Ed Zwick, subject Liz Gilbert, Laura Dern and Jack O’Connell

Patima Tungpuchayakul, Tun Lin, Jeffrey Waldron, Shannon Service, “Ghost Fleet”

The wonderful thing about film festivals is the discoveries…the films you haven’t heard anything about and filmmakers that can share their stories in person. Kicking off the fall festival season, most of us can’t afford to travel to Venice and Toronto Film Festival can be overwhelming. Telluride is a trek — but you don’t need your passport! Here in this tiny mountain town, film lovers begin to build the award season buzz.

It’s challenging to try to see as many films as you want, often you’re too far back in line or there’s a limited amount of seats. That builds an excitement over which films to try to see and everyone seems to have a strategy. As you stand in line with filmmakers, film fans and festival lovers, the one question asked is “What’s been your favorite film?” This year at Telluride, the buzz was for First Man, Can You Ever Forgive Me and Roma. The smaller films that were getting high praise were Shoplifters, Cold War and Girl.

There was talk of this being Nicole Kidman’s year. She has two disparate roles; as the Baptist wife with tall blond hair and lacquered nails in Boy Erased and unrecognizable as the drab damaged detective in the dark L.A. noir, Destroyer. Melissa McCarthy was also almost unrecognizable in person; til she smiled. She’s lost a lot of weight and was a charming guest which made her performance as the hard-drinking forgery artist all the more impressive. The New Yorker writer David Grann was in many conversations as two films, The Old Man & The Gun  and Trail by Fire were based on his articles. The many conversations and interviews, in the park and after the film screenings, add to our enjoyment of the films by revealing layers of meaning and interesting anecdotes shared by the filmmakers.

Two documentaries that I had the pleasure of seeing made my top 10 list. Ghost Fleet, about slave labor in the international seafood industry, stars the heroic Patima Tungpuchayakul. She started a human rights organization to protect children in Thailand from forced labor but she and her husband have spent the last few years traveling to sea in the attempt to free the captives on commercial fishing boats. Many never leave the ships and die at sea but thousands have been rescued and returned home.

Be Natural: The Untold Story of Alice Guy-Blache is a fascinating documentary with inventive effects and title sequences that move the story at break-neck speed. Director Pamela E. Green has been researching the first woman filmmaker for more than 10 years and her film uncovers amazing details and reconnects many of her contemporary ancestors. A must-see for anyone interested in this forgotten trail blazer of cinema. Alice Guy-Blache directed thousands of films in France and the United States and even ran her own movie studio. Be Natural is a resounding call to rewrite our history to restore Alice Guy-Blache to her rightful place as the first woman filmmaker.

What films made your Top 10 at Telluride? What films will build audience anticipation as the Fall Festival Season continues…we shall see.

So you want to go to the SHOW…

SHOWMedallion_Final

The 45th Telluride Film Festival, the cinema smorgasbord in the tiny Colorado mountain town, is a true labor of love. Hundreds of volunteers transform schools, a conference center and a skating rink into theaters. Volunteers come from all over Colorado and many from out of state. In exchange for 30 hours of work over the four days of Labor Day weekend, SHOWCorps volunteers enjoy swag (t-shirt, backpack, water bottle, snacks, treats) and most importantly, a Staff Badge.

Why dedicate your vacation time and make the trek up to the mountains to share a hotel room or sleep on a couch or camp in the cold? It’s a long weekend of working in theaters, at events, in the tents and information booths. A demanding job for those schlepping all the trappings of the SHOW! We do it because it’s a chance to reconnect with our friends that we may only see once a year. We do it for the joy of being around other film aficionados; discussing film, seeing film, experiencing film conversations with filmmakers and guests–up close and personal. Stars can walk the streets free of paparazzi and they can relax a little, shielded from requests for selfies and autographs.

Telluride Film Fest Swag

A Festival pass is your entry into the Passholder Line. There you stand with other film buffs waiting patiently for your Queue so you can rush off to grab another coffee or scarf a scone/a falafel/anything to keep from eating more popcorn. No pass and you’re doomed to join the Ticket Buyer line. Occasionally, after all the Passholders have gone in, there are seats that can be sold at a premium price ($35) to those with the fortitude to wait. This is your only choice if you didn’t shell out the big bucks for a Festival Pass or join the ShowCorps.

This year, there seemed to be an increase in complaints from everyone from all the ranks about the number of full screenings that they were turned away from…a crushing disappointment if you’ve waited in the rain or made it ALMOST to the front of the line. Has Telluride Film Festival become too popular? Is there space to add another venue or increase the size of any of the screening halls? What I do know is–the volunteers and staff that create this Cinema Heaven so close to the stars; they will keep coming every year. And so will I.

 

 

And the winner is…”Liyana”

Festival Hub: The McNichols Building

DFF Festival Hub: McNichols Civic Center Building

The 40th Denver Film Festival wrapped on Sunday, Nov 12th. An Awards Brunch celebrated the filmmakers that won jury and audience awards. It was wonderful to see that one of my favorite films at the festival, Liyana, not only won the True Grit Award… the filmmaking team was also awarded Peoples Choice Award for Documentary feature (a tie with the documentary, Hondros).

Liyana is not really a documentary, nor would I call it an animated film (though there are a few moments of animation). Amanda and Aaron Kopp’s film could be classified as a  triumph in raising awareness. The 10-year-long project was a creative way for the filmmakers to give a voice to the many delightful young children that live in an orphanage in Africa. Like an extended therapy session: as the children create the story and drawings for the film, they work through the traumas they’ve suffered: abuse, loss, terrors of war. They tell their stories through this fictional brave girl, Liyana, who is illustrated by the amazing Nigerian artist, Shofela Coker.

This is no pity party. The film is an unusual amalgam combining footage of the children creating the story and the hero’s journey that their character makes. All the elements, the editing, the beautiful illustrations, the children’s voiceovers, an amazing soundtrack and the final dancing scene of the children celebrating…make this film a heart-warming experience. What a wonderful film and deserved win for the filmmaking team!

 

Drinks with films rating: 5 glasses of milk served at a communal table of cheerful, chaotic kids enjoying life. (out of 5)

People’s Choice Awards
After conclusion of the Festival on Sunday, November 12, the following films were recognized as the People’s Choice Award winners for the 40th Denver Film Festival by a tally of ballots.

Narrative Feature:
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
Director: Martin McDonagh

Documentary Features (tie):
HONDROS
Director: Greg Campbell

LIYANA
Directors: Aaron Kopp and Amanda Kopp

Short Subject Film:
THE SUITCASE
Director: Abi Damaris Corbin

Music Video:
Polo & Pan – Coeur Croisé
Director: Pablo Maestres

True Grit Award
The following Colorado-made feature film was selected as the winner of the True Grit Award by a jury of members of the Denver Film Academy, which is comprised of dues-paying alumni board members.

LIYANA
Directors: Aaron Kopp and Amanda Kopp

The jury statement reads:
Liyana, directed by Aaron and Amanda Kopp, is a documentary that juror members called bold, amazing, enchanting, tender, compassionate, empowering, heart-breaking–a triumph of the human spirit. As one jury member said: I couldn’t help but want to give that wonderful storytelling coach a big hug and a kiss … and some funding!”

Special mentions:
THE OUTSIDER
Director: Scott Takeda

HONDROS
Director: Greg Campbell

“The jury also cited two films for Special Recognition: The short film The Outsider, directed by Scott Takeda, a touching film about the need to belong and the beauty of finding beauty in other family cultures, and the feature documentary Hondros, directed by Greg Campbell. Hondros is a powerful and eloquent documentary that pays tribute to the late photojournalist Chris Hondros’ courageous and compassionate career documenting the wars in Kosovo, Afghanistan Liberia and Libya.”

Krzysztof Kieślowski Award for Best Narrative Feature Film
The following narrative feature film was selected as the winner of the Krzysztof Kieślowski Award by a jury of international film industry members.

THE HAPPINESS OF THE WORLD
Director: Michał Rosa

The jury statement reads:
“Since the pre-selection was excellent, it gave us a hard task with the diversity of choices and with different values in each film. We unanimously agree to give the Krzystof Kieszłowski Award in 2017 to a film that tells a uniquely complex and layered story, created with artistic integrity and consistency in its cinematic language: The Happiness of the World (Szczęście Świata), written and directed by Mr. Michał Rosa. The filmmaking team created on screen a unique sensual cinematic experience including exceptionally good performances. The Happiness of the World treats painful historical themes, addressing the guilty consciousness of contemporary audiences in a non-didactic and tactile manner.”

Special mention:
UNDER THE TREE
Director: Haffstein Gunnar Sigurðsson

“The special jury award goes to Under the Tree (Undir trénu), directed by Haffstein Gunnar Sigurðsson. We were impressed by the portrayal of the dark sides of human behavior through powerful tragic farce. The combination of erratic conducts and suburbia absurdity melted into a delightfully complex cinematic language. We don’t really believe in competition between films, in our choices we were looking for inventiveness in storytelling. We believe that the awarded films merit the attention of broader audiences and the support of the Denver Film Festival.”

Krzysztof Kieślowski Award Jury: Gyula Gazdag, Christopher Kamyszew, Clémence Taillandier

Maysles Brothers Award for Best Documentary Feature Film
The following documentary feature film was selected as the winner of the Maysles Brothers Award by a jury of national film industry members.

ALPHAGO
Director: Greg Kohs

The jury statement reads:
“The documentary jury awards the top prize to Greg Kohs’ AlphaGo for its riveting and thought-provoking account of a programming team’s attempt to master the ancient Chinese board game Go. The film chronicles the week-long tournament between the A.I. program AlphaGo and the game’s world champion Lee Sedol as a sporting event with global-historical significance. It does so with the vigor, suspense, and emotional stakes of a great sports film while simultaneously pushing the boundaries of the genre. In the end, AlphaGochallenges our allegiances and our assumptions, demonstrating that the measure of technology is not just whether it can outperform us, but whether it can deepen our humanity and expand human possibility.”

Special mention:
STRAD STYLE
Director: Stefan Avalos

“The jury awards special mention to Stefan Avalos’ Strad Style, a film as singular and charming as its subject, a young Ohio man who promises to build a world-class violin for a renowned European concert violinist but who encounters countless obstacles in his quest to fulfill his promise. The film is a sincere and loving tribute to anyone who has ever known commitment in isolation or passion against the clock.”

Maysles Brothers Award Jury: Shane Boris, Justine Nagan, John Van Wyck

American Independent Award
The following narrative feature film was selected as the winner of the American Independent Award by a jury of national film industry members.

THIRST STREET
Director: Nathan Silver

The jury statement reads:
“For us, this film was a unique vision and one that is informed by the story consistently. Despite its dark themes, it maintains levity and a prism of complex portraits of each character. Bold editing, cinematography and sound design, coupled with an endlessly believable performance from Lindsay Burdge show that this is an impressive leap forward for director, Nathan Silver.”

American Independent Award Jury: Meredith Alloway, Matt Grady, Will Morris

Short Film Awards
The following short films were selected by a jury of national film industry members.

Liberty Global Domestic Student Filmmaker Award

WHILE I WAS GONE
Director: Daniel F. Pfeffer

The jury statement reads:
“The Liberty Global Domestic Student Filmmaker Award goes to While I Was Gone, written by Lucas Monroe and directed by Daniel Pfeffer. From the start, this emerging voice struck an unmistakably compelling tone. A first film that is all the more impressive for its subtleties.”

Liberty Global International Student Filmmaker Award

ANIMAL
Directors: Bahram Ark and Bahman Ark

The jury statement reads:
“The Liberty Global International Student Filmmaker Award goes to Animal, by Bahram and Bahman Ark, for its raw and violent depiction of the struggle for freedom. The spirit of accomplishment is met with the ultimate sacrifice in the devastating and surprising resolution of this film.”

Best Animated Short

MANIVALD
Director: Chintis Lundgren

The jury statement reads:
“The best animated short goes to a film that whimsically evokes many emotions because it touches on such themes as the loss of a male figure in the lives of a mother and son, the self discovery of a sexually repressed boy, and the reconciliation of unmet fantasies.”

Special mention:
THE BURDEN
Director: Niki Lindroth von Bahr

“We are giving a jury special mention to The Burden, directed by Niki Lindroth von Bahr. As a jury, we cannot believe this film exists because of its craft, its pure vision, and its ability to usher the audience into a dark, animalistic, and wildly mystical realm.”

Best Documentary Short

FISH STORY
Director: Charlie Lyne

The jury statement reads:
“As a jury, this film unanimously struck us as not only a beautiful exercise in craftsmanship, but also hilarious and compelling. The original voice of the director speaks to the core of documentary filmmaking in a refreshing and genuine tone – turning a simple memory into a fascinating story.”

Shorts Jury: Christine Davila, Mallory Martin, Adam J. Minnick

 

 

 

 

 

 

 

 

March on over to the Lyric!

1510251593592_Openingday-coverphotoYes, my days and nights have been spent in Denver for the last two weeks, and while I was away, my favorite local Cinema opened it’s doors for business! The Lyric, once crammed into an old laundromat with two tiny screening rooms and great programming, has now moved into their new digs.

This Tuesday night, Nov 14th @ 6pm, you can join the Guerilla Fanfare Marching Band and make the one mile journey from Old Town to the new location on College Avenue. There’s now parking, a restaurant & expanded bar, plus THREE screening rooms. This light-filled building is like a big blue and silver cruise liner ready to sail you into your next cinematic adventure.

Free admission to the Grand Opening party. There will be live bands, a DJ and even live video streaming. Come play pinball, enjoy some crazy delicious Porky Pop (bacon AND caramel?!) popcorn and other culinary treats and celebrate your new local art house cinema. Sign up for Space Camp, the Lyric rewards program, and you’ll get to come to select screenings for free.

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Here is the schedule of events for the GRAND OPENING on November 14th:

          6:00pm – Parade Starts in Old Town Square lead by Guerrilla Fanfare
          7:00pm – Parade Arrives at The Lyric/The Alcapones, HYZENBORG, Live Video Art
          9:30pm(ish) – Wes Watkins & Grumpy Uncle begin playing
Make sure to put this event on your calendar and get ready for the same great programming of art house cinema, festival favorites, and live events here in Fort Collins.

Not all films are fabulous…some can be flawed or pretentious or downright irritating!

Bravo to the Denver Film Festival programming team for being adventurous in their programming. There are so many wonderful films and undiscovered gems in this year’s programs. There are also some that I wish I hadn’t wasted my time on…

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Yes, this cabin was parked in front to SIE for the Premiere of “Walden”

Walden…oh Walden.  How much did I want to love you?! A Colorado narrative feature with a big name actor and lots of local crew and local supporters (including DFF!), Walden, Life In The Woods is an amazing short film. Trapped in a feature.

Three narrative threads attempt to illustrate three lost souls struggling through one day.  A man working at a senior center, played by Demian Bichir (Academy-nominated) is trapped in a spiral of financial woe. Will he have a nervous breakdown over the endless choices of bbq grills at the massive warehouse store? An egocentric young man is troubled by his boyfriend’s lack of support in his work. Is he losing his soul to corporate America? Or will he join his lover in the wilderness in a poorly-constructed cabin? Yes, I’m trivializing their plights but they are are the weak links in this saga.

While the two men struggle along on their literal paths thru the stores and streets and over rivers and rocks…the heart of the film is unfolding in the beautiful portrayal of an elderly woman (Lynn Cohan) overwhelmed by her dementia. Using drawings, stop motion animation and intricate camera work, the audience is shown a window into her world. Laura Goldhammer, also a producer on the film, created the wonderful animation. If only the rest of the film matched the vibrancy and uniqueness of this section…really wonderful.

Drinks with Films rating: 2 slugs out of a whiskey flask while sitting by a Colorado lake (out of 5)

A team of Colorado filmmakers, including director Alex Harvey, producers Mitch Dickman (Hanna Ranch, DFF37; Rolling Papers) and Shane Boris, writer Adam Chanzit, and musician-animator Laura Goldhamer, shot Walden on location. T.J. Miller (Deadpool, Cloverfield, Silicon Valley), Chris Sullivan (This Is Us) and Demián Bichir (The Hateful Eight; Alien: Covenant; Weeds; Un Cuento de Circo & a Love Song, DFF39) co-star.  They even brought the cabin to the World Premiere!

A Chiambra is Italy’s submission for next year’s Academy Award for Foreign Film. If you like gritty, down-on-their-luck tales of familial love, despair and crime; this is the film for you. There are no beautiful vistas of scenic Italy. This is car-jacking, children-smoking slice of ghetto life captured with too much handheld camerawork. Co-executive-produced by Martin Scorsese, there isn’t a lot of violence but there’s a lot of shouting and table pounding.

Rating: 1 glass of cheap Italian red, sipped from an unclean glass in a cluttered kitchen

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Sometimes it’s my own anticipation that does me in…I was so thrilled to get to see Sally Potter’s new film, The PartyWhat a cast! Patricia Clarkson, Bruno Ganz, Cherry Jones, Emily Mortimer, Cillian Murphy, Kristin Scott Thomas, and Timothy Spall. I’m thinking witty bon mots, sparkling British dialogue, something of a farce but brutally funny…

Instead, it’s a black-n-white bore with stilted dialogue, frenetic acting, and a plot that even your dottiest aunt would never believe. Patricia Clarkson is the only one who seemed to have made friends with the cinematographer; she looks glamourous. Emily Mortimer wandered in from another movie in her overalls…she’s the only one who isn’t speaking the dialogue as if reading from a cue card. This was one Party I was glad to leave.

Rating: 1 glass of champagne tossed right out the balcony of the well-appointed London flat!