Category Archives: Film

Fall is a feast of film festivals!

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As the Toronto Film Festival finishes it’s last week of films, parties and panels, let’s celebrate the local film festivals right here in Colorado! My favorite is the Telluride Film Festival, a gem of a festival over the Labor Day weekend. The 45th year welcomed stars galore: famous filmmakers, movie stars and tributes. Actress, Emma Stone, Director/Cinematographer, Alfonso Cuaron, and Cambodian filmmaker, Rithy Panth were honored. And a Silver Medallion for a Hero of Cinema was presented to Dieter Kosslick, Director of the Berlinale Film Festival.

Staying in the mountains, you could be in film heaven with Breckenridge, Aspen and Crested Butte having festivals one after the other! First up is Breckenridge Film Festival.  Breck‘s fest has 70+ films (lots of good shorts) with premieres, forums and parties and opens with the great documentary, Love, Gilda: Sept. 20–23, 2018. Aspen Filmfest: keeping in sync with Aspen’s tradition of big names and big fur, this festival includes major productions, Oscar hopefuls and lavish benefit dinners. Some of the films I loved at Telluride Film Fest are screening including a few I missed!: Sept. 25–30, 2018.  Crested Butte Film Festival is another smaller festival where screenings are within walking distance. Here you’re sure to discover the transformative power of stories while fostering great connections at this intersection of 90 great films, bikes, hikes and magical mountain scenery: Sept 27-30, 2018

Here in the Front Range, you can enjoy beer and movies at the 1st Boulder Film & Brew in Gunbarrel. You can travel to No Man’s Land in Carbondale for films made by and for women outdoor enthusiasts. You can whet your appetite with films paired with food tastings and beer pairings at the 7th Annual Flatirons Food Film Festival in Boulder. Whatever you choose, you’ll find that we have talented filmmakers right here in our own wonderful state!

Boulder Film & Brew Festival 

September 15, 2018

Boulder Film & Brew will feature creative beautiful independent films featuring comedy, animation and of course, BEER! You don’t want to miss the fun we’re going to have!

The inaugural Boulder Film & Brew Festival, highlights not just the craft of brewing, distilling and the food arts but also comedy and adventure. This is a festival where drinking beer, eating and laughing make for a fun and engaging experience.

Our schedule includes workshops about food and beer pairing by Element Bistro, brewing your own beer by Brewmented, Comedy by Bubb Comedy and a Quaffing sport beer competition with Team Quaffstafari!

Breweries are the new living rooms of Colorado and a beer tastes better when you’re enjoying a film with friends and learning how to create something new. Film and beer. Laughing with friends and beer. Workshops with beer. Learning stuff. Yep, your mom will be proud of you!

No Man’s Land

September 13-16 · Carbondale, CO

We are women and we are allies. We are sunsets and alpenglow, dangerous riptides and endless singletrack. We are coffee-fueled optimists who may dance-all-night into an alpine start and laugh too loudly at jokes that no one else understands. We are unique. We are individual. We are human. And we don’t draw lines, because everyone defines their own.

Flatirons Food Film Festival

October 11-14, 2018

The 6th annual Flatirons Food Film Festival opens with a night of craft beer and ends with a twisted tale of pastry and deep subterfuge. Between opening and closing nights, learn about Cuba’s food traditions, local food nonprofits, Anthony Bourdain from his friends, the struggle of opening a women-run food truck in a refugee camp, passing on family traditions, how to nurture young farmers, and how to move away from factory farming.

Denver Film Festival  Denver’s largest film festival is in its 41st year and has grown to 12 days in duration. With a little more glitz than some of the mountain events, Denver hosts red-carpet premieres and films from dozens of countries and more than 250 filmmakers: Oct. 31–Nov. 11, 2018.

Plus there are all these other film festivals in the Fall:

Telluride Horror Show, Oct. 12–14, 2018
Dickens Horror Film Festival in Longmont, Oct. 19–20, 2018
Rocky Mountain Women’s Film Festival, Colorado Springs, Nov. 9–11, 2018
Nederland Film Festival, Nov. 17–18, 2018
Winter Stoke Film Festival in Glenwood Springs, Nov. 29, 2018; Carbondale, Dec. 6, 2018; Rifle, Dec. 20, 2018

Jill ranks the films she saw at the Telluride Film Festival

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If it seems to exist on a higher plane, this is not just a matter of altitude. Mostly it is the kind of place where, for one long weekend, all anyone wants to talk about is movies. There are no prizes, and therefore no juries; no market, no press screenings, no red carpets or paparazzi photo calls. The ethos is open and egalitarian. –A.O. Scott, The New York Times

There’s no way to see all the films you want to see at the Telluride Film Festival. Once you’ve accepted that, you’ll find that what you do see–is often more enriching or more thought-provoking than what you may have chosen on your own. After attending for five years, I’ve learned to seek out the smaller films and hope to catch some of the studio films at later festivals or when they come to the theaters. Sometimes though, it’s just a matter of what film is playing in the theater you’ve ushering at…or the next available screening that’ll fit into your schedule…or the one film where you might not have to wait too long in the rain. C’est la vie!

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I was lucky to see 12 films out of the 37 in the Main Program. I’ve listed them in order of my enjoyment level. Please remember that I didn’t see First Man, Can You Ever Forgive Me? and Destroyer…or the smaller films I wished I’d seen like Shoplifters, The Biggest Little Farm, Girl, The White Crow and Fistful of Dirt.

  1. Roma: Alfonso Cuaron (writer, director, cinematographer) I was fortunate to see two beautiful black & white films enveloped in non-stop smoking and wonderful music back-to-back; Cold War and Roma. It’s rare that I submit to an almost 2 1/2 hour film without feeling that there should’ve been an intermission or some serious editing. I was so immersed in this story of a young Mexican woman caring for an upper middle-class family and anticipating the unfolding turmoil about to descend upon them all. This was a true labor of love from Alfonso Cuaron; a tribute to the woman who raised him as well an odd to his biological mother trying to find her place in the world.
  2. Cold War: Pawel Pawlikowski (writer, director, Oscar-winner for Ida) This was the most beautifully-shot film I saw at the festival. A tragic love story set in Poland and Paris, we watch as the couple perform folk music under a political watchdog, traveling to Russia. Years later, they’re reunited in a life of jazz and booze. But the reality of life with someone who’s had to compromise too many times leads to a tragic return to Poland. Love can triumph over politics but can it survive the loss of your soul?
  3. Ghost Fleet: Shannon Service, Jeffrey Waldron: Documenting the horrifying reality of men imprisoned on fishing boats in the Indonesian sea, this film was a revelation to me. Focusing on the brave team lead by Patima Tungpuchayakul traveling to surrounding islands to rescue men who’ve fled slavery in the seafood trade, there’s a tension and tenderness to the footage. The horrors that these men face is compounded by the shame they feel about not wanting to return home, penniless and broken. Truly an amazing, inspiring film.
  4. Trail By Fire: Ed Zwick: 12 years on death row for a Texas man who’s low-class hard-living ways have blinded the legal system to his innocence and genuine love for his children. Jack O’Connell is mesmerizing in his performance of a man losing his soul but finding some meaning in his connection with Elizabeth Gilbert (played with great depth by Laura Dern). She starts a crusade to overturn his death sentence. A moving true story to make us rethink the death penalty.
  5. Boy Erased: Joel Edgerton (director, script, co-star): Lucas Hedges is a soulful young man trying to reconcile his same sex attraction with his family’s Baptist faith. When his preacher father (Russell Crowe) sends him to a religious conversion center, we meet the clients, many forced into treatment by their parents. Based on the autobiography of Garrad Conley, the painful revelations and vicious abuse heaped on the teens rings true. Joel Edgerton plays a masterful misguided leader who doesn’t just believe in praying away the gay; but also, beating out the devil of same sex sin. Nicole Kidman, the loving mother who comes to realize her son deserves understanding instead of punishment, is a welcome relief to the trauma. The closing scene between father and son is truly touching.
  6. The Favourite: Yorgos Lanthimos: I must confess to not being a fan of director Lanthimos’ work but this film was wicked and odd and sometimes wonderful. Olivia Colman plays Queen Anne of the 18th Century British court as a simpering, needy bully. Her companion, Rachel Weisz as Lady Marborough, keeps the Queen in check with flattery and sexual companionship. When her poor cousin shows up in court (the versatile Emma Stone), her position as “favourite” is threatened. Gorgeous costumes, some scathing lines and wacky antics kept me amused. The cinematography (low-light, fish-eye, wide-angles) was distracting but the long takes of Olivia Colman’s mournful face held me in thrall.
  7. Be Natural: The Untold Story of Alice Guy-Blache: Pamela E. Green: Bravo to this intrepid woman, Pamela E. Green! Upon seeing a documentary about early filmmakers, she wondered why she’d never heard of Alice Guy-Blache. When she discovered that not only her pioneering role in cinema, but also her films were not recognized by history or her peers, Green started this passion project. Connecting long-lost family members, discovering treasure troves of archival footage and recordings, Green seeks to restore Alice Guy-Blache to her rightful place as the first narrative filmmaker; and the first woman filmmaker! This is a fun fast-paced documentary that should be a must-see for any film lover.
  8. The Old Man & The Gun: David Lowery: A delightful film about an unrepentant bank robber and jail breaker played by the legend Robert Redford. The charm of this film is in the relationship between the thief and his comrades-in-arms (Danny Glover and Tom Waits), the detective who doesn’t want to catch him (Casey Affleck) and the woman who falls for his charms (the delightful Sissy Spacek). The real kick is that this is based on a true story. The sad news is that this is Robert Redford’s last role…what a great swan song.
  9. The Front Runner: Jason Reitman: Gary Hart, played with a nice head of hair by Hugh Jackman, gets his comeuppance in this political drama about the power of the media. Vera Farmiga portrays the much-wronged wife who must deal with the media circus and the sensationalism that can destroy a career and sideline not only a man’s run for office but also a nation’s chances for a flawed leader who may have made a big difference in politics.
  10. Eldorado: Markus Imhoof: Swiss filmmaker Imhoof interweaves his childhood relationship with an Italian refugee, a child sheltered by is family in World War II with a look at the overwhelming plight of refugees from Africa. His argument; that these immigrants are supplying low-paid labor to harvest food that is then subsidized and undercuts the economy in their own countries. A tragic cycle of economic slavery and hardship.
  11. Christian Wahnschaffe, Part 1 & 2: Danish silent filmmaker Urban Gad: Restored prints from 1920, this drama of class struggle with religious allegory was accompanied by Stephen Horne playing piano, flute, accordion with various thumping and strumming to great effect. A fascinating look at well-realized story where the acting, though broad, is still emotional.
  12. Graves Without A Name: Rithy Panh: The noted Cambodian filmmaker has created a tone poem to remember the thousands of lives brutally and agonizingly ended in the genocide there. Beautiful images of white paper prayer flags fluttering in the wind and carved faces to represent ghosts of those lost float in the water or appear in the tree’s bark. They represent those bodies lost in mass graves or never recovered as they were left to decompose on the land. A meditation on death and remembrance in a cyclical telling over 2 hours.

Festival buzz–Telluride

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Destroyer/Can You Ever Forgive Me conversation

Director Marielle Heller, Melissa McCarthy –“Can You Ever Forgive Me?” Nicole Kidman, Director Karyn Kusama –“Destroyer”

Be Natural: The Untold Story of Alice Guy-Blache

Director Pamela E Green, “Be Natural”

Robert Redford, Director David Lowery, Sissy Spacek, Casey Affleck,  writer David Grann

Writer David Grann, Director Ed Zwick, subject Liz Gilbert, Laura Dern and Jack O’Connell

Patima Tungpuchayakul, Tun Lin, Jeffrey Waldron, Shannon Service, “Ghost Fleet”

The wonderful thing about film festivals is the discoveries…the films you haven’t heard anything about and filmmakers that can share their stories in person. Kicking off the fall festival season, most of us can’t afford to travel to Venice and Toronto Film Festival can be overwhelming. Telluride is a trek — but you don’t need your passport! Here in this tiny mountain town, film lovers begin to build the award season buzz.

It’s challenging to try to see as many films as you want, often you’re too far back in line or there’s a limited amount of seats. That builds an excitement over which films to try to see and everyone seems to have a strategy. As you stand in line with filmmakers, film fans and festival lovers, the one question asked is “What’s been your favorite film?” This year at Telluride, the buzz was for First Man, Can You Ever Forgive Me and Roma. The smaller films that were getting high praise were Shoplifters, Cold War and Girl.

There was talk of this being Nicole Kidman’s year. She has two disparate roles; as the Baptist wife with tall blond hair and lacquered nails in Boy Erased and unrecognizable as the drab damaged detective in the dark L.A. noir, Destroyer. Melissa McCarthy was also almost unrecognizable in person; til she smiled. She’s lost a lot of weight and was a charming guest which made her performance as the hard-drinking forgery artist all the more impressive. The New Yorker writer David Grann was in many conversations as two films, The Old Man & The Gun  and Trail by Fire were based on his articles. The many conversations and interviews, in the park and after the film screenings, add to our enjoyment of the films by revealing layers of meaning and interesting anecdotes shared by the filmmakers.

Two documentaries that I had the pleasure of seeing made my top 10 list. Ghost Fleet, about slave labor in the international seafood industry, stars the heroic Patima Tungpuchayakul. She started a human rights organization to protect children in Thailand from forced labor but she and her husband have spent the last few years traveling to sea in the attempt to free the captives on commercial fishing boats. Many never leave the ships and die at sea but thousands have been rescued and returned home.

Be Natural: The Untold Story of Alice Guy-Blache is a fascinating documentary with inventive effects and title sequences that move the story at break-neck speed. Director Pamela E. Green has been researching the first woman filmmaker for more than 10 years and her film uncovers amazing details and reconnects many of her contemporary ancestors. A must-see for anyone interested in this forgotten trail blazer of cinema. Alice Guy-Blache directed thousands of films in France and the United States and even ran her own movie studio. Be Natural is a resounding call to rewrite our history to restore Alice Guy-Blache to her rightful place as the first woman filmmaker.

What films made your Top 10 at Telluride? What films will build audience anticipation as the Fall Festival Season continues…we shall see.

Based on a true story–Films at the 45th Telluride Film Festival

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Alfonso Cuaron’s “Roma:”
“The Favourite”
“Boy Erased”

43 films screened over 4 days for the 45th Telluride Film Festival. 10 of those 43 were excellent documentaries, but another 12 were films based on true stories. The most Hollywood of these, First Man is the star-spangled story of Neil Armstrong starring Ryan Reynolds and directed by the talented Damien Chazelle (La La Land). It was very well-received. Trail by Fire, directed by Ed Zwick  and driven by amazing performances by Laura Dern and Jack O’Connell, was absolutely riveting. I’m so glad I saw it before it starts being dismissively described as the anti-death-penalty film. It deserves a wide audience.

Alfonso Cuaron wrote, directed and shot most of his autobiographical film, Roma. Eric Kohn of Indiewire described it as “writing his personal story with a camera”, which seems quite apt. It’s a lovely black & white period piece revealing an upper-middle class family’s daily struggles through the eyes of their caring maid. Each scene is populated with so many details of their lives — we get to visit a turbulent time in Mexico City and in this young woman’s life. There’s so much drama and tension that the 2 1/2 hours flies by. I’m thankful that it’s a Netflix film and I’ll be able to watch it again.

Standing in the rain for an hour sharing an umbrella with a stranger was worth it to see The Old Man and the Gun (David Lowery). It was a treat to see Robert Redford and Sissy Spacek in person. They have delightful chemistry in this sweet film about a bank robber and escape artist who can’t retire from the thrill of the chase. Redford stated that this is indeed his last acting role, though he’ll still produce and maybe direct. That gave the film a lovely sentimental feel as there are photos of a younger Redford used to illustrate his character’s past. Casey Affleck is particularly good as the detective trying to catch the bank robbers who develops a rapport with the gentleman criminal.

If you’re a fan of Yorgos Lanthimos, you’ll to get a kick out of The Favourite. Queen Anne rules the 18th Century English Court but it’s her consort who’s making the real decisions. Played with petulance, emotional neediness and disdain, Olivia Colman is a powerful and fickle Queen. Vying for a place in her bed and in her court are the penniless lady, Abigail (Emma Stone), a cousin to the powerful Lady Marlborough (Rachel Weisz). Great roles for three powerful performers and I enjoyed the wicked banter and court intrigue. There are many extended close-ups of Olivia Colman’s face and it’s amazing to watch the emotional storms sinking her sanity. I could’ve done without the showy camera flourishes as it took me out of the story but the costumes (Sandy Powell) are sumptuous.

My final film of the festival was Boy Erased. This family drama is based on Garrard Conley‘s memoir brought to the screen by another multi-hyphenate talent, Joel Edgerton. He directs the screenplay he wrote; he also has a starring role as the director of a religious gay conversion center.  Lucas Hedges, portraying another damaged young man (Manchester by the Sea, Ladybird, Three Billboards Outside Ebbing, Missouri) gives another emotionally revealing performance. When he’s forcibly outed at college after a traumatic incident, his Baptist preacher father (a solid Russell Crowe) convinces his mother (Nicole Kidman) to admit him to the conversion center. The loving relationship between mother and son is sorely tested when she learns what’s happening as staff try to sublimate the sexual urges of the clients. It’s an emotional journey with another great Nicole Kidman performance as she reconciles her love for her son with her love and duty as a Baptist wife. I’m looking forward to seeing The Miseducation of Cameron Post for the female viewpoint (directed by Desiree Akhavan) on conversion therapy set in an earlier time but still dealing with this shameful practice.

More Telluride reviews coming soon…

Motherhood at the Movies

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Women are making headlines. We’re standing up for our rights and saying #Metoo, #TimesUp and #EqualityNow.  And our voices are being heard. _101312188_hi046747529

An amazing 82 women commanded the red carpet this week at the Cannes Film Festival. They stood in solidarity to show how few women filmmakers have had films in competition in comparison to the 1600 male filmmakers in Cannes’ history. Rallied by the International activist group 5050X2020, their voices were heard and they got results in a pledge to work toward gender parity at this prestigious festival!

There are a wide range of films featuring mothers at your local cineplex. This Mother’s Day, you could see a drama, a rom-com, a thriller and a comedy!  What are the messages these films portray?  It’s clear that women need support in Tully and Overboard:  Charlize Theron gives an extraordinary performance in Tully as a mother pushed to the breaking point by exhaustion and postpartum depression. The writer/director team of Jason Reitman and Diablo Cody have crafted an intimate portrait of motherhood and a rare look at one woman’s overwhelming challenges.

Anna Faris is literally Overboard as a working class mother who gets revenge on the pompous millionaire who dumps her off his yacht…by claiming him as her husband. This gender-switch to the Goldie Hawn/Kurt Russell romantic comedy gives this film a needed update. In this film, the mother has supportive friends and family and her children are in on the joke. The message seems to be that even a playboy can be saved by hard work and the love of a good woman.

Women become warriors if their children are threatened in Breaking In and A Quiet Place:  Gabrielle Union is the Mom-on-a-mission as she rescues her children from the home invaders. The thriller has the tagline: “Payback is a Mother”.  Childbirth never looked so horrific as the scene in A Quiet Place when Emily Blunt is trying to remain silent while giving birth…and she knows that aliens are hunting her family!

If you were looking for a more cheerful look at motherhood, we learn that Moms want to have fun. Melissa McCarthy plays a newly-divorced mother who decides to join her daughter at college. Life of the Party makes it seem like college is a series of fun hi-jinks. The daughter seems chagrined but accepting…and the awkward scenes between the two are played for broad laughs.

Women need support. We can be warriors. And we want to have fun. It’s wonderful to see so many films showcasing the complexities of what it is to be a woman. If you live in a major city, you could celebrate how far we’ve come with Betsy West and Julie Cohen’s documentary, RGB. This intimate look at Supreme Court Justice Ruth Bader Ginsburg is touching, inspiring and a lot of fun. This is a woman who made her mark with the awesome support of her husband, has lead the charge on gender equality and clearly knows how to have fun!

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Read this nice review from The Economist about how the Notorious RGB is a “trailblazer for gender equality”.  It’s the movie all women deserve to see! Let’s all stand for gender equality by supporting films made by women, films starring women and showcasing our stories. Our voices need to be heard!

And the winner is…”Liyana”

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Festival Hub: The McNichols Building

DFF Festival Hub: McNichols Civic Center Building

The 40th Denver Film Festival wrapped on Sunday, Nov 12th. An Awards Brunch celebrated the filmmakers that won jury and audience awards. It was wonderful to see that one of my favorite films at the festival, Liyana, not only won the True Grit Award… the filmmaking team was also awarded Peoples Choice Award for Documentary feature (a tie with the documentary, Hondros).

Aaron Kopp accepts the True Grit Award
DFF Awards w/champagne and an award-winner!
Lovely setting for brunch

Liyana is not really a documentary, nor would I call it an animated film (though there are a few moments of animation). Amanda and Aaron Kopp’s film could be classified as a  triumph in raising awareness. The 10-year-long project was a creative way for the filmmakers to give a voice to the many delightful young children that live in an orphanage in Africa. Like an extended therapy session: as the children create the story and drawings for the film, they work through the traumas they’ve suffered: abuse, loss, terrors of war. They tell their stories through this fictional brave girl, Liyana, who is illustrated by the amazing Nigerian artist, Shofela Coker.

This is no pity party. The film is an unusual amalgam combining footage of the children creating the story and the hero’s journey that their character makes. All the elements, the editing, the beautiful illustrations, the children’s voiceovers, an amazing soundtrack and the final dancing scene of the children celebrating…make this film a heart-warming experience. What a wonderful film and deserved win for the filmmaking team!

 

Editor, Animator & Director/Producers, photo by Katie Leigh
Me, taking photo of Shofela Coker
Drinks w/Films and Aaron Kopp

Drinks with films rating: 5 glasses of milk served at a communal table of cheerful, chaotic kids enjoying life. (out of 5)

People’s Choice Awards
After conclusion of the Festival on Sunday, November 12, the following films were recognized as the People’s Choice Award winners for the 40th Denver Film Festival by a tally of ballots.

Narrative Feature:
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
Director: Martin McDonagh

Documentary Features (tie):
HONDROS
Director: Greg Campbell

LIYANA
Directors: Aaron Kopp and Amanda Kopp

Short Subject Film:
THE SUITCASE
Director: Abi Damaris Corbin

Music Video:
Polo & Pan – Coeur Croisé
Director: Pablo Maestres

True Grit Award
The following Colorado-made feature film was selected as the winner of the True Grit Award by a jury of members of the Denver Film Academy, which is comprised of dues-paying alumni board members.

LIYANA
Directors: Aaron Kopp and Amanda Kopp

The jury statement reads:
“Liyana, directed by Aaron and Amanda Kopp, is a documentary that juror members called bold, amazing, enchanting, tender, compassionate, empowering, heart-breaking–a triumph of the human spirit. As one jury member said: I couldn’t help but want to give that wonderful storytelling coach a big hug and a kiss … and some funding!”

Special mentions:
THE OUTSIDER
Director: Scott Takeda

HONDROS
Director: Greg Campbell

“The jury also cited two films for Special Recognition: The short film The Outsider, directed by Scott Takeda, a touching film about the need to belong and the beauty of finding beauty in other family cultures, and the feature documentary Hondros, directed by Greg Campbell. Hondros is a powerful and eloquent documentary that pays tribute to the late photojournalist Chris Hondros’ courageous and compassionate career documenting the wars in Kosovo, Afghanistan Liberia and Libya.”

Krzysztof Kieślowski Award for Best Narrative Feature Film
The following narrative feature film was selected as the winner of the Krzysztof Kieślowski Award by a jury of international film industry members.

THE HAPPINESS OF THE WORLD
Director: Michał Rosa

The jury statement reads:
“Since the pre-selection was excellent, it gave us a hard task with the diversity of choices and with different values in each film. We unanimously agree to give the Krzystof Kieszłowski Award in 2017 to a film that tells a uniquely complex and layered story, created with artistic integrity and consistency in its cinematic language: The Happiness of the World (Szczęście Świata), written and directed by Mr. Michał Rosa. The filmmaking team created on screen a unique sensual cinematic experience including exceptionally good performances. The Happiness of the World treats painful historical themes, addressing the guilty consciousness of contemporary audiences in a non-didactic and tactile manner.”

Special mention:
UNDER THE TREE
Director: Haffstein Gunnar Sigurðsson

“The special jury award goes to Under the Tree (Undir trénu), directed by Haffstein Gunnar Sigurðsson. We were impressed by the portrayal of the dark sides of human behavior through powerful tragic farce. The combination of erratic conducts and suburbia absurdity melted into a delightfully complex cinematic language. We don’t really believe in competition between films, in our choices we were looking for inventiveness in storytelling. We believe that the awarded films merit the attention of broader audiences and the support of the Denver Film Festival.”

Krzysztof Kieślowski Award Jury: Gyula Gazdag, Christopher Kamyszew, Clémence Taillandier

Maysles Brothers Award for Best Documentary Feature Film
The following documentary feature film was selected as the winner of the Maysles Brothers Award by a jury of national film industry members.

ALPHAGO
Director: Greg Kohs

The jury statement reads:
“The documentary jury awards the top prize to Greg Kohs’ AlphaGo for its riveting and thought-provoking account of a programming team’s attempt to master the ancient Chinese board game Go. The film chronicles the week-long tournament between the A.I. program AlphaGo and the game’s world champion Lee Sedol as a sporting event with global-historical significance. It does so with the vigor, suspense, and emotional stakes of a great sports film while simultaneously pushing the boundaries of the genre. In the end, AlphaGochallenges our allegiances and our assumptions, demonstrating that the measure of technology is not just whether it can outperform us, but whether it can deepen our humanity and expand human possibility.”

Special mention:
STRAD STYLE
Director: Stefan Avalos

“The jury awards special mention to Stefan Avalos’ Strad Style, a film as singular and charming as its subject, a young Ohio man who promises to build a world-class violin for a renowned European concert violinist but who encounters countless obstacles in his quest to fulfill his promise. The film is a sincere and loving tribute to anyone who has ever known commitment in isolation or passion against the clock.”

Maysles Brothers Award Jury: Shane Boris, Justine Nagan, John Van Wyck

American Independent Award
The following narrative feature film was selected as the winner of the American Independent Award by a jury of national film industry members.

THIRST STREET
Director: Nathan Silver

The jury statement reads:
“For us, this film was a unique vision and one that is informed by the story consistently. Despite its dark themes, it maintains levity and a prism of complex portraits of each character. Bold editing, cinematography and sound design, coupled with an endlessly believable performance from Lindsay Burdge show that this is an impressive leap forward for director, Nathan Silver.”

American Independent Award Jury: Meredith Alloway, Matt Grady, Will Morris

Short Film Awards
The following short films were selected by a jury of national film industry members.

Liberty Global Domestic Student Filmmaker Award

WHILE I WAS GONE
Director: Daniel F. Pfeffer

The jury statement reads:
“The Liberty Global Domestic Student Filmmaker Award goes to While I Was Gone, written by Lucas Monroe and directed by Daniel Pfeffer. From the start, this emerging voice struck an unmistakably compelling tone. A first film that is all the more impressive for its subtleties.”

Liberty Global International Student Filmmaker Award

ANIMAL
Directors: Bahram Ark and Bahman Ark

The jury statement reads:
“The Liberty Global International Student Filmmaker Award goes to Animal, by Bahram and Bahman Ark, for its raw and violent depiction of the struggle for freedom. The spirit of accomplishment is met with the ultimate sacrifice in the devastating and surprising resolution of this film.”

Best Animated Short

MANIVALD
Director: Chintis Lundgren

The jury statement reads:
“The best animated short goes to a film that whimsically evokes many emotions because it touches on such themes as the loss of a male figure in the lives of a mother and son, the self discovery of a sexually repressed boy, and the reconciliation of unmet fantasies.”

Special mention:
THE BURDEN
Director: Niki Lindroth von Bahr

“We are giving a jury special mention to The Burden, directed by Niki Lindroth von Bahr. As a jury, we cannot believe this film exists because of its craft, its pure vision, and its ability to usher the audience into a dark, animalistic, and wildly mystical realm.”

Best Documentary Short

FISH STORY
Director: Charlie Lyne

The jury statement reads:
“As a jury, this film unanimously struck us as not only a beautiful exercise in craftsmanship, but also hilarious and compelling. The original voice of the director speaks to the core of documentary filmmaking in a refreshing and genuine tone – turning a simple memory into a fascinating story.”

Shorts Jury: Christine Davila, Mallory Martin, Adam J. Minnick

 

 

 

 

 

 

 

 

“Flags of our Fathers” — DFF, Day 3

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Richard Linklater‘s ode to fatherhood and brothers-in-arms is a long road trip with many diversions.  Last Flag Flying features outstanding performances from the cast; the quiet, soulful man that sets the plan in motion, Steve Carell (reminding us that he’s more than a comedian), to the grandstanding, hard-drinking man covering up his shame with booze and broads played by Bryan Cranston.  Laurence Fishburn is a solid straight man who’s found his way and isn’t keen to be tempted off the path. These three men bicker and bound as they go on a journey of redeemtion and brotherhood.

The horrors of war but the joy of war-tested friendship, the deep sadness of not trusting your leaders and fighting for a lost cause, the military’s hypocrisy and easy lies and the state of men’s souls — complex themes for a movie that keeps company with men still recovering from the Vietnam War. Linklater is no stranger to themes of manhood and his work here is a brilliant study in why a lie can change your life, or sooth a weary soul. This is a long journey and the side-trips are a welcome reprieve with some comedy moments that had the audience laughing through their tears.

Drinks with Films Rating: 3 beers and a shot in an Irish bar trying to drown your sorrow

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