Would you make the drive to Montrose (an hour and 15 min on mountain roads) on Christmas Day to see a movie? What if you didn’t have a way to pre-purchase tickets and you knew there was a good chance your film was going to sell out? What if there was snow in the forecast? If you’re crazy about the movies like I am…the answer is YES!
Arriving 30 minutes prior to show time, the line snakes out the door at the San Juan movie theater. There are two small theaters in Montrose, Colorado. The Fox Cinema has three screens and was playing Star Wars: The Rise of Skywalker, Clint Eastwood’s Richard Jewell, and Spies in Disguise (an animated film voiced by Will Smith & Tom Holland). The San Juan Cinema was screening Jumanji: The Next Level and Little Women. As I approached the 20-deep line full of families and older couples, I heard a Mom say, “I can’t believe it’s sold out! And so is Star Wars!” My heart sank. Was it MY screening that was Sold Out? No, it was Jumanji. Turns out, if you only have two screening times on Christmas, both in the evening, there’s a good chance that you’re going to disappoint some people.
On the plus side, even some of the families with kids decided to forgo Jumanji to see Little Women. Good choice. Skip the sequel and see the film that may very well become the new Classic. THIS Little Women will now be the definitive version of the Louisa May Alcott novel. Director Greta Gerwig (Lady Bird), referred back to an older version of the novel to create the two plot streams following the sisters from adults back to their impoverished but loving upbringing as young girls. Shooting the childhood scenes in golden tones with the talented young actresses in long tresses and colorful dresses, then cooler tones and more muted costume choices for the young women helps the audience navigate the time shifts. Already a feminist manifesto, subtle changes to the dialogue have allowed Greta Gerwig to align the film to reflect what Alcott could not change in her time. As Jo March (the luminous Saoirse Ronan) is told by her editor (played by Tracy Letts), “if you write anything with a young woman, have her married by the end…or dead” and “If insist on ending your delightful novel with a spinster, it will never sell”. There wasn’t an audience for entertainment that featured single successful women.
Little Women begs for multiple viewings. I love this discussion of one scene, “Notes on a Scene” by Vanity Fair. The scenes are staged with overlapping dialogue as the girls act like typical siblings. They roll about on the floor, squabble and act like tomboys; racing around each other with the camera following to capture every poignant moment. The casting is brilliant. Laura Dern as Marmee, the mother of this brood of very different young ladies, is warm and wise but the camera follows her to show her sadness and anger that she hides from her girls. Meryl Streep is the perfect fussy older Aunt, lording her influence over the family but also trying in her way to bring financial stability to a family of women who keep falling in love with impoverished men.
The casting of Timothee Chalamet and Saoirse Ronan as Laurie and Jo is perfect as they already have such a comfort level with each other from their previous film (Lady Bird) and they’re both well-suited to their roles. All the Marsh women are well-cast. It’s great to see Emma Watson as the sister who marries for love. She gives Meg’s journey from giddy debutante to mother and wife an honesty and believability. Florence Pugh as the spoiled outspoken Amy is a standout as she realizes that her beauty is her only true talent but knows she must utilize it to land a wealthy husband. I hope this film introduces her to audiences who don’t know her other outstanding work (Midsommar, Lady Macbeth). It was also wonderful to see Chris Cooper in a wonderful role as Mr Laurence.
I’m not the only one swooning over this film. NYTimes’ AO Scott gave it a rave review and there’s a great critical look at Gerwig’s adaption that I love by Alissa Wilkinson of Vox. One of my favorite exchanges in the film is between Amy (Pugh) and Jo (Ronan) and reflects a continuing struggle today to get men to value stories that feature women. Jo is trivializing her little stories of “domestic struggles and triumphs” saying that writing about it doesn’t elevate it.
“Writing doesn’t confer importance,” Jo says. “It reflects it.”
But Amy disagrees. “Writing things,” she says, “is what makes them important.”
I would say that is the same with regards to filming that story. So bring your whole family, and especially the men folk. This is not just a story of domestic struggles. This is a great family film about finding and trusting your voice…and telling your story.
Drinks With Films rating: 5 glasses of Civil War Era wine (out of 5)