Smash, Crash, Zoom — “Hobbs and Shaw” is a fun action film

Burdened with a long title and high expectations from fans of the franchise, Fast & Furious Presents: Hobbs & Shaw is surprisingly entertaining. If you haven’t watched any of the films in the series, you can still enjoy this one. There isn’t a lot of backstory from the other films you need to know and if you didn’t know that there was a rivalry between the two main characters, it’s set-up for you right away. I love what writer @tensecondsfromnow wrote in his review: Fast and Furious is largely about the toys, but there need to be men to drive them, and with Paul Walker’s demise, these men must be bald and middle aged.

Once it’s established that our two leads, played by The Rock (Dwayne Johnson) as a lovable muscled giant and the suave Jason Statham, who’s lovely British accent made me forget that yes, he IS indeed bald…are different but can both get the job done–the movie kicks into gear and doesn’t stop. If you’re expecting the trademark action set pieces of one person jumping from a speeding vehicle into another one, a motorcycle vs car chase, and a bunch of ridiculously large trucks fighting helicopters and other vehicles…this films got it.

What I liked about this film and the series, is the focus on the importance of family. Both leads have discussions with their Moms and their opinions influence the arc of the story. It’s refreshing to see an action movie where all the women are given power and allowed the agency to control the action. The women don’t follow the men nor are they playing the damsel-in-distress. Vanessa Kirby is Hattie, an action hero in her own right and Hobbs (Dwayne Johnson) tells Shaw (Jason Stratham) that she’s “bad ass”. She even gets her own catch phrase, “how long have you worked here?” that has amusing consequences.

Dame Helen Mirren has a small role as Shaw and Hattie’s mum and even in prison, she appears in control of the situation. She playfully gets out of her chains and drops them in the guard’s hands. Mexican actress and singer, Eiza González, in a small role as an arms dealer, may be a love interest for Shaw but she’s the boss of a full crew of talented women. She’s the one who has both the intel and specialized equipment to deploy on their mission.

Idris Elba is a wonderful conflicted baddie…rebuilt by an evil corporation; his character believes he’s the future of mankind. The moral conflict behind his eyes tells the audience that it’s dawning on him that he might be on the side of evil but he’s beyond committed to his path. The fighting is mostly bloodless–a ballet of bullets and flying bodies, but the battle fought without guns is ironically, the most brutal. It’s also the low-tech solutions that save the good guys in the final battle and they’re medieval and imaginative. I could’ve done without the intrusion of the smirky Ryan Reynolds’ character who seemed to be in another movie. If you’re looking for a high-speed action film that has a heart and some laughs, I think you’ll be pleased with Hobbs and Shaw.

Drinks with Films rating: 3 1/2 glasses of good bourbon served in cut glass tumblers (out of 5)

Four Days, Four Films. And the Winner is…Movie Pass!

Movie Pass

FREE FILMS!

 

What a wonderful gift. My sweet sister gave me 3-months of Movie Pass. Are you a fan? Or have you been hearing about it and wondered if it was a good deal? Yes, yes, it IS!

There are drawbacks: not all theaters accept Movie Pass. If you’re a big fan of art-house cinemas (Hello, Lyric Cinema Cafe in Fort Collins), you’ll still need to support them. And you can’t book in advance for most theaters; though the app notes that there are some theaters for which that’s available (both E-tickets and Advanced Booking haven’t been available at any local theater in my area–the Front Range of Colorado). Which means fewer screenings at the smaller lounge-type theaters.

Here’s how it works: you receive your “credit card” in the mail, download the app to your phone, go to the theater (you need to be within 100 ft), select your theater in the app, then select your film screening. You have 30 min to purchase your ticket at the box office or kiosk. Bingo, a free movie every day. How often you use Movie Pass will depend on you and your location. Even a film fanatic like myself…well, I’ve only used my Movie Pass five times in the last 3 weeks. Still, 5 FREE films out of the eight I’ve seen in a theater is awesome!

Star Wars: The Last Jedi (2 Cosmic Kool-Aids out of 5): Big fan of all the women characters kicking butt, making decisions and ruling the Universe…now if only the story had been compelling. Did we need a bunch of silly CGI characters to populate the different planets? The film does have some visually stunning vistas: I loved how the rebel planes’ flight paths scratched blood-red tracks through the white sands on Caint and the escape on the fathiers (those loping horse/camel/dog/cat creatures) revealed amusing scenes of destruction on the gambling planet Canto Bite. As much as I enjoyed seeing Luke and Leia reunited, discovering that one of them had mastered The Force enough to project a solid, touchable (and impervious) body left me questioning other aspects of the story. Once I left the fantasy, I was no longer involved in the film.

Jumanji: Welcome to the Jungle (3 ½ island margaritas out of 5): Now this is a fun ride! Dwayne Johnson, Jack Black, Kevin Hart and Karen Gillan are delightful as they portray teenagers that have been morphed into video game characters. The story is fun, the acting, stunts (and dance fighting!) and the way the production portrays the interactions of being in a game are inspired. The camaraderie that develops between the characters will have you laughing and there’s even a few touching moments. Jumanji is a great family film and if you’re looking for silly and heart-warming, this is your film.

The Greatest Showman (4 bar room shots, consumed while dancing, out of 5): Hugh Jackman is a wonder. Singing, dancing and sweeping us off our feet in this simplified story of PT Barnum’s life. The story sprinkles star dust and aims to convince us that showbiz can be a haven from the cruel world. The sets have an Old World Hollywood feel and suit this behind-the-scenes look at carnival life. Michelle Williams is luminous as the supportive wife who doesn’t need the glitz and glamour to be happy. Zac Efron is particularly charming as the High Society boy who must choose between his standing and class and his heart. He has two great duets; exciting song & dance numbers with Hugh Jackman and later, Zendaya. The choreography in those scenes and the timing; WOW. Rebecca Ferguson’s gorgeous opera star wins your sympathy and her song, dubbed by Loren Alfred, “Never Enough” is a show stopper. The cast of “freaks” lead by the bearded woman, Keale Settle, give exuberant performances and are the heart of the film and a modern nod to diversity and acceptance.

Call Me By Your Name (3 1/2 glasses of expensive Italian wine out of 5): Having missed two film festival screenings, I was excited to finally see this film. I find Luca Guadagnino‘s films to be lush, lyrical and a little over-the-top. Spending a summer in rural Italy in the company of Armie Hammer is a pleasure for the audience as much as for the young Timothée Chalamet. Who doesn’t enjoy watching young people explore their sexuality in gorgeous settings (and what an innovative use for a ripe peach)! There were some eyebrows raised due to the age discrepancy between the two young men but I think it’s more to do with Armie Hammer, a handsome American scholar who comes across as confident and assured and looks like a man.  Where Timothée Chalamet’s character seems so much younger and in his hapless romance with a young woman, shows the audience his inexperience.

For me, the real standout is Michael Stuhlbarg. He plays such a warm, non-judgmental father and the relationships within the family are loving and supportive of each other. It’s a treat to see a family on screen that’s not played for laughs or full of dysfunction. The story was well-told but I would’ve enjoyed a little prudent editing. The entire last scene set in winter with Timothy’s character mourning as he stared (and stared…and stared) into the fire didn’t seem necessary.